144

Writing as probing is never a new

science or technique when thoughts flex like snails,

crawling in trails and sloughing down a glue

trace on the arrebol tiles with gold sails:

There is a message on the watershed

in hidden letters of fishscale that read:

SPARE THE ROD WHEN USING A WATERBED,

SHARE THE WEALTH WHEN SCATTERING YOUR BIRDSEED:

East meets west when the sun drowns its bald head

in the mentholated Caribbean;

when it bolts barbs will feel astringed and dead

under the strident deafness of Leon:

This way we minimize the razor’s bumps

when affecting our heads against blunt stumps.

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143

With flowers to flank its privileged placement,

Paradise, above and beyond the horde,

is constructed despite the defacement

of a landscape in which savage hues soared:

A mask with a toothless grin looks faceless

as it’s tacked onto the collective heart

of a nation that pegs itself raceless,

contradicting the mask’s plaster-cast art:

Down below, though, the clouds blow like rainbows

and the hammers break hearts like blue dandies

and the blood circulates as the pain flows

and the spinster still smacks on her candies:

Recused from the pilgrim’s rescue mission,

our brothers on high bray to conscription.

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142

With a whetted whistle to pierce the air,

I begin to cut the gentle fabrics

that breeze between me and the single chair

that sits in the woods before the sap leaks:

Enter the house at the end of the wood;

coax on each light unilumined for years ;

the puffy photos stand for what has stood

always – that is, class, affect, lions, bears:

Linoleum floors too hard to fall on

ground your walking meditation through time,

where memories carve traces of fallen

flesh and duties preserved with salt and rhyme:

With an open door, the breeze can get in

to refresh the patterns sewn into skin.

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141

I know that my dreams are alive and well

when I look out and see the yellow flames,

dancing in the shadows of the wall, tell

of the spirits in our corporal frames:

They stay with us like light lingers at night,

resting on threads spun by other senses,

perpendicular to the thought of flight

from this field of invisible fences:

Running on the barbs of the jagged wrist,

the currents of courage ripped up their feet,

and the blood drips down to where winds have kissed

the marrow of the leaves, whose foils I eat:

I know that my dreams are alive and well,

since I am what they were before they fell.

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140

How does one bring the truth out of oneself

when smiling faces play games on concrete

and vanity seeks to couple itself,

when time fuses into eyes, hands and feet?:

The eye is a charm on a medallion;

the golden cataracts ripple upstream;

there are rocks to avoid and a squadron

of livid lizard tails to cut and clean:

Caught on the threshold of a slamming door,

I lost a limb so many years ago –

it was a magical appendage for

all us children whose hopes fluttered aglow:

The orange bar where I drank from our root

was covered in citrus, flame – now bones, soot. 

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139

The internal horizon is the most

expansive; its inside-eye insight flails

across form and floods into the stretched coast

where castles are pitched with Masonic pails:

I throw mango pits from the balcony,

from the Eye inside the palm of my heart,

while the iridescent pulse of money

softens and slows to a certain stop-start:

If I squint to unclose, I can see Mount

Purgatory as a hill, draped in greens

through the mist of my imprecise account

of time behind space across these pierced screens:

The yellow fruit was tasty, but the seed

rotten: winks of sweat – this thought was one bead. 

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138

If sleep evades me, then I’ll stay awake

and dream of the utensils I once used

to pick and poke the peaks and pikes I’d make

out of flush air to feed my blood suffused:

Little teaspoons you could wash with a wish,

and two-pronged forks that you gashed your gums with,

and knives that you clanged against the red fish

whose eye pulsed, quickened with gelatin pith:

I must have been ten when I first did dance

with the crumbs on my table, made of gloss

and the fibrous shavings of blue romance,

cut from the cork to connect to the cross:

I never switched it right after cutting

the yucca: Sinister hands. NO DOUBTING.

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137

Amongst the hollow shades dressed in ash, blue,

the moon hangs down like a thirsty molar,

waiting to pounce on the gelatin glue

that coheres in dead cow bones’ ice collar:

No one’s there to hear it but the plague, blue

as the darkest day floats above the shade,

ashen as the parched pelt explodes – no clue

as to the whereabouts of the crisp fade:

I, choking on citronella flames -blue

at the horntips, blank and hollow when played –

only remember the flowers that flew

when we tumbled in our own cindershade:

The wind-eye floods with the dust of devils,

and I can only sigh, as sight revels.  

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136

Plastic air ducts release the sibylline

tension that leads to crows’ feet on the eye,

blanketing the space like old nicotine

in the pre-ban eras of the bar-sky:

That is, the gray horizon is stunted,

boxed in by the wooden musculature

of ashen livestock whose eyes are blunted

by reality in miniature:

The tears fall like saline drops in reverse,

cleaning the squalid concrete veins of blood,

and a woman, purple dress, takes her purse

(which is of a clay/mud leather) and flood:

She pours the currency like a river

and drowns through whatever course they give her.

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135

The turquoise blue scales of a crocodile

so immense that it stretches beyond swells

arches its chopped back an infinite while,

as the sands turn themselves into seashells:

That is below. Above, the bugs flock in

sparks, reversed, attacking the bulbous flames,

like  brimstones to a Philistine noggin.

Higher still, houselights chant their owner’s names:

The sky is purplish above the thick breeze,

and the endless shudder of the tropics

continues to pierce all but metal seas,

and you can’t see the moon, though you got tricks:

You drink trade winds in a bunch of passion,

and you spit hot fire, rife with caution.

 

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