108

"The windows are two, and they represent

two views: your take on the world, and the world
on you, your craft, your past and your present;
the door's your future – the hinges were hurled:
The door was thrown out; the world is calling
you to serve it with gusto, whenever
you're ready; we've thatched this hut with falling
leaves – they fall so silent, twirl together:
So twist and trine your words, up under palm
leaves, stitched together like fresh rhymes in time,
the greatest preserver of worldly calm,
the deepest forestaller of worldly doom":
Time – and I have it – and I start to write
about the deepest dreams, the darkest light.
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107

"As you said, yours is a perilous path,

but only if you fear the force of fate;
one way or another, it leads to death,
but you have years left, I think, to be great:
That's what you want, and we'll help you get it –
the Russian Blue is the sign of your pride;
you must treat it well: feed, love – don't pet it –
and it'll keep your head up, heart inside: 
The home in which we stand is a safe place
in which to retreat to tether your dreams,
which lie reckless, unshorn like the grass face
which, quiet, lines off this plot like dead screams:
Your desk is your craft – depend upon it;
it's why you can always write a sonnet."
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106

"To the right rests the mountain of knowledge

acquired from books and research on man;
this is a noble rock with no sharp edge,
and it supports without giving a damn:
(You know what I mean.) On the left lies Mount
Expression, towards which you incline at heart;
it is steeper and harsher as you mount,
but once atop you will never depart:
I mean, you won't leave the visions of art,
and you'll interact with the world in kind:
this peak pushing toward the deepest heart,
that summit teaching you all you can find:
Which one to choose? Let your pen be your guide –
There is always a space for love inside."
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105

“Before you begin, though, let me explain

that meaning of things here is double;
as life is never simplistic nor plain,
its signs are altered in this next level:
The valley in which you woke is much more
than a simple plain in-between the rock; 
you were at a low, you were on the floor
in your life when I fetched you from the muck:
On either side, the mountains are your end-
which way you climb is a matter of choice,
but understand that your fate will unbend
definitively down the slope you choose:
The goal is to go up to come back down
to this earth enlightened, content and grown.”

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104

And she pointed off towards a cottage

in the distance with terracotta bricks
that shined with ruddy élan on the stage
set by the unkempt garden's weeds and sticks:
The roof was curiously made of thatch,
and two small windows flanked the doorless gape,
that revealed a desk and a post to scratch
for the Russian Blue with the scruffy nape:
The cat-eyes beckoned, yellow in the night,
and I walked toward my new abode, (my guide
on my left hand – spade awkward  in my right)
and when I reached the door, I stopped. She sighed:
"Do not wait. The desk calls you. Go on. Write.
You have much to say. Let me get the light."
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103

"I represent your work's trajectory,

a point you won't arrive at without me,
so I demand you put your trust in me,
build with me steady, and never doubt me:
You have been pegged for fantastic outcomes,
but your mind is a bit too unsteady;
I'll make a palace from the catacombs
where your fugitive thoughts have fled to die: 
I am a vision of your own dreamtime,
wherein all structures stand well organized
but placed and colored into your realtime
to show the tact and grace on your sore side:
So work with order, vision and insight;
I'll chastise you around with main and might."
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102

I had never worked like I toiled that day;

I forgot about my neck and the pain,
and I loved the salt taste of sweat and green tea
and the damp dream dew of la terra, plain:
Working steadfast, with love, I built a house
out of leaves and rocks and wood and fire,
and just when I felt that I could let loose,
my house toppled down, like misplaced ire:
"Silly, silly man – Don't build a new house;
Fix up the old one that was left for you;
For time is a race, and you stand to lose,
if you don't build on it, as victors do:
One's foundations must never be one's own;
We weave with the past – our skein un-alone."
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101

I woke up with a tingle in my neck,

which as I looked around became a pain;
I saw mountains, hills, a perilous trek,
and a woman speak – I hear her again:
"Welcome to the world where worries are lanced
by the swift, sharp rod of justice and love;
we are all those colors – sometimes you glanced
at our forms in your dreams, sent from above:
I am an heiress of this fair estate,
and you stand to inherit a bright plot,
not from me, but through your deeds with my aid,
which can teach you to bleed while wounds still clot:
A spade's a spade, and this spade's in your hand; 
your part is the whole, now work on our land."
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100

Oh epic engagement! Oh ebullient

result! The splendor of dark ruby gems
that could shine forever, or one moment
flash like lightning in a bottle, solemn:
This reminds me of "Ignition (Remix),"
in its brilliance, its bubbly outpouring
of exuberance – uber sans prefix –
in a mix of language, time ex-ploring:
So I implore you all to bounce with me,
pop your champagne, or cider, or pistols,
and toast to the love that flashes swiftly,
but leaves stigmata like hands on thistles:
Let's preserve these effervescent crystals –
berry-red pulp in amber epistles.
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99

At the brink of the tongue, of expression,

the primaveral light slides through the blinds,
casting a grid of shade – and reflection –
onto the book as a portrait unwinds:
And so, letters and words come to light or
linger in shadow, bringing them to life
or placing them in a tomb where brighter
thoughts must go to be reborn from belief:
You believe in these words, you plant them fresh
in the garden that never existed
except in the shadows, with leaves so lush,
where ponytailed fronds the dark resisted:
The palms of your hand have brought them to light
in your stockpot of colors, dark and bright.
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