uno

Tigresa la duquesa, no me abuses;
también tengo garras, que nos las uso;
uso sueños y sones, mientras luces,
pa' que vuelen los astros suso, ayuso:
Cabellera cometa, rizos áureos
se resbalan en el tiempo, sin rumbo;
yo pierdo camino y paladeo;
yo saboreo el polvo hecho vislumbro:
Disculpa mi voz, disculpo lo dicho;
tengo labio rebelde, ingenio puro,
corazón duro–no me da lo hecho
un comino; camino sin apuro:
Paciente galán, el tu galardón
cuando veas las cosas como son.
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20

With a daily shake of the daily pen,
I provide for you all my daily dose;
Your daily bread that's spiked to unleaven,
with metrical message in rhyming rows:
Or columns of war, arranged in numbers,
too unsound to count, to deep to recall;
I strike, like a dolphin that remembers
Bills and Pats, NY Jets and Steve Grogan:
Memory is hindsight / the air is sea;
we pass through salt and run through bluish waves
Invincible armada–"History"
made in waves and e(x)ternalized on staves:
I left it all for a dream / so immense
are my visions of lovely Providence.
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19

I'm taking a trip to Backache City,
its marquee juxtaposed in green and gold,
against the arid backdrop of gritty
grains of sand, and grains of thought manifold:
The former fly endless in the wind, sun,
but the latter dissolve in the deep glow
of the inexorably live neon,
flashing hair, waves, movement — "8 hr show":
My dreams are dissolute, but they are dreams;
I envision for a reason so true,
that, ensnared in a vista between seams,
I fix the leaning contours of the view:
That is, I'm in and out of reason/rhyme;
I can't sit up but, hey, I've got the time.
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18

And now I begin to find truths in books,
though meaning eludes my capricious mind,
so I put each new text on tenterhooks,
and dry out doubts with a vision refined:
Desiccation is a dangerous word,
and it cracks over my hands like lashes,
from a thousand tiny whips which then blurred
said vision into a stream of flashes:
Dark light, light dark, dark light, light dark, dark light,
as the rains fall in between, I can see
why lightning blows out–since it glows so bright,
why rivers give out as they reach the sea:
Each page fades out as you turn it away,
or we write what we read, mean what we say.
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17

Treat each new day like an endless repeat
of the last one but with a new wrinkle:
our consciousness does grow and does defeat
a timeline view of the world and its people:
Which means that our growth is cosmic, not straight
nor linear–we expand and contract; 
in our minds we might feel that we are great,
and where time is unfriendly we react:
And we retract from the texts of flesh, love
to delve deep into currents of selfhood,
but a self that's divided by "push-shove"
tactics and by the beauty of driftwood:
I mean, the part of us that floats on tides
which push space up, back and expand its sides.
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16

This current isn't new, but it's fresh like
a smell you can see in colors so fly,
in oranges so stark and greens that strike
in droplets on your nose, haze in your eye:
My stomach rumbles, purrs; I hear the haze,
lemon-red, canary burgundy wines–
hugging up on my neck, the beat, still, plays;
I can see time in circles, angles and lines:
While hazy heads and hearts wind around me,
my colored flesh seems so real to the touch
that I could have and hold a piece of me,
and it would be the same as a goose-clutch:
The feel of plastic under my fingers
says that in its smoothness eyesight lingers.
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Old School Sonnets, vol. 2

This is a short revisit to the sonnets of the past, containing a single piece, written at the library stacks in April of 2007. 

7:46 pm, S427

contentment could consist of sixteen words

and I'd swallow a dove for lack of shit
I need something deep down to last a bit
all bids for groggy-like peace are absurd
where, then, must the human heart go flowing
if there's no place to pee, let alone dream?
frigid stacks, conform the flagrant, pristine
but inside founds expansion; i'm going
at it, at ya – active is my culture
flaming, emblazoned on a frosted glass
did i look out it or drink it like grass?

"The Library will be closing." : punctured

hopes of completion, "Rebel against-me"
reflexive verbs can sound so damn(ed) sexy

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15

We could lay time flat like as on a map,
or you could build it up like hills of clay,
or better yet, do both, put clay on map,
and put rocks down, so it won't fly away:
Then, we'd open a pack of toy soldiers,
and put them on the hill, oceans and land,
and you'd make a flag out of toothpicks and
napkins with birthday designs from past years:
Where'd I'd stick a flag would mark a new year–
I mean, an old one that's passed us all by,
and we'd define our times on lands far, near,
without really even having to try:
Please pray for them, they're on Purgatory–
the clay slope is a slippery story.
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Old School Sonnets, vol. 1

From Spring Break 2004. Berkeley, CA. I had just finished my lovely visit to the campus of UC Berkeley, and as I waited at some local establishment for my friend, RJ, to pick me up, I sipped from a glass and sonneteered. Soundtrack provided by Galaxie 500 and The Exploding Hearts, though somehow, only the former band made its way into the poetry. This trip and these sonnets turned out to be something of a watershed moment in my life, as I naively ended up rejecting  comfort for commodity. Fast-forward five years, and I’m on the East Coast, only just beginning to write sonnets again. These have been, in large part, “transitional” years, but  for whatever my self-inflicted battle scars are worth, I have emerged a MUCH better writer of sonnets–if not of academic papers! Fortunately, I now realize that when there’s poetry in me, then there’s poetry about me.

##########################################

“I wrote a poem on a dog biscuit, and your dog refused to look at it. So I got drunk and looked at the Empire State Building; it was no bigger than a nickel.”

Sonnet no. 1986
18 years ago, I rolled down the stairs–
my first memory. If you ask me to
roll with the punches I’d pull out my shears,
and a thousand tribes of yore would kill you.

I was tryin’ for the top, reachin’ skies
with a hawk on my shoulder and flowers
around my head, scenting the apple pies
of your eyes as you read this. Girl powers

the motor that veers off-course on dirt roads,
bucking into trances and mint ice cream
I went to the party, but it was choads,
amoebas inchoate in misty dream.

To hell in a handbasket riding hood!
Just wish your disses didn’t feel so good.

“I stayed at home on the 4th of July, and I pulled the shades so I didn’t have to see the sky. I decided to have a bed in, but I forgot to invite anybody.”

So-So Sonnet
[sə-sə sɔnIt]

Heart about to explode over pavement
Flatbread about to crack over wires
A year of blues dissipates like cavemen
singing dirges from within campfires

The beer settles in, and I’m twenty-two
I’m legit and more than ready to quit
Call that line cliché and I’ll cliché you–
incendiary earth put out by spit

For those of us who would like some detail,
here’s the rap: Red fake flowers would make me
Come, if you are mother earth or on bail,
jailbirds singing, swinging like history

One cup down sixteen to go for freedumb’s sake
A choir of poetries dead. (Oops!) My mistake.

“I never thought that I would end up here. Maybe I should just change my style. But I feel alright when you smile.”

Sonnet no. Witless fux
Fuck enjambment! I’ll write complete frases
A line is a line, let’s obey that shit
The advent of printing fucked up writing
Is this blank verse, or will I rhyme with “shit”?

These are questions waiting to be answered
“Cut off circulation, cut off the flow”
If my words breathe fire, suffocate them
Let’s see what rhymes with “Eat my shit”

“Heat my shit,” “Eat my spit” and “tear me up”
Full cup, half-empty–full clip, half-pirate
Frases sound like fragments when you’re fucked up
Don’t worry kiddies. Only alcohol.

Retire to basement ingénue flix
Fetishism equals fetishists [rest].
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14

Does light truly consist of all colors,
or is it the other way around? Do
dark things really redound on our horrors,
or do they tell us what we want them to?:
Well, today there was light in every place,
on, in, under rocks, leaves, clouds and sidewalks,
all the bricks beamed in bright red, and the race
of dark shadows did shine cross the crosswalks:
And my mind was brightly colored by talk,
by words about images, not letters,
as "text" that stays crisp like the freshest chalk,
and that quickens the mind without fetters:
Being fresh to death on fall afternoons
is to colors as nights are to new moons.
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