SHOUT-OUT

Oh, and because I forgot to do it in the previous post, I have to give a shout-out to my girl Beth C, who is fighting the best of fights in Montréal, QC. She's a frequent chat companion of mine on Sunday afternoons, as we both try to put off doing actual work for as long as possible. 

Oh, and she has a blog that you (my two readers) should check out: http://bigplacessmallspaces.blogspot.com/

–WRG
Posted in Uncategorized | Tagged | Leave a comment

WRG also does more obviously “black” music sometimes!

1) Provisionally called "Third-Eye Blind" because it's about the third eye. I wrote this after hearing Amy Winehouse "rockify" basic soul stuff, and I decided to write something in that vein for a female singer. Here's the e-mail I sent to a friend after I wrote and recorded this: 
So here's what one "Mark and Stormy" spat out of me [Note. It was actually rye whiskey, not Maker's Mark, that I mixed with the Ginger Beer]. This was recorded using a computer's internal mic on garage band, so excuse the "room noise". Better recording equipment will be saved for better singers, I hope. A few days might see more parts and/or verses added. I just had to get the basics "down" before I forgot it. I'll let you figure out what the central metaphor is. Good night.

With a smile and a smell of true hope
I turn to you
My wandering eye has finally turned inward
I know just what to do

In profile, or even in in dreams,
I turn to you
But you're blind to my truest visions,
Why's your eyes askew?

I wonder why my wandering eye could catch you
but now you won't scope me out
I see your dreams in our history
but you've only got one trick: you can see through me

So I cry to cleanse out my dreams
I envision what I could be
If you just tried to see with your two eyes
and not look from one to three

I wonder why my wandering eye could pin you down
but you can't look me up
I see your dreams in our history
and you've got one trick: you turned your gaze from me

2) "Deja Vu": A rap inspired by Ghostface's Pretty Toney Album Advance Mixtape, since that's where he had all those songs where he's just rapping over actual songs – no sample, no nothing; just rapping over whatever's there. I decided to do this over a classic rock track, the name of which will not be mentioned. I cheekily got some of these lyrics published in a Harvard grad student literary mag, along with a mis-translation of a nonsense song that I wrote for my Catalan class!

3) "The Koala Song": Based on my rediscovery of the anime cartoon Noozles about time/space-traveling koalas and Koala Walla Land and what not. I ripped the theme song for the chorus. I never recorded a satisfactory version of this, but it will always be a personal favorite.

Posted in Uncategorized | Tagged | Leave a comment

A smattering of Old Jams (All things written and recorded by WRG)

The sun and my recent jamming has reminded me of the fact that music trumps all in my heart and mind. Even the sonnets that give a title to this website have their origin in my fundamental love of rhytmic order that is marr(i)ed to lyrical language. In any case, with these things in mind, I decided to unearth a few songs that I wrote and/or recorded years ago, in a past that I need to come to terms with, if not at least partially return to. 

There is a decided dearth of creative inspiration in my day-to-day life, and I'm always looking backwards instead of forwards to find a spark. This is quite possibly flawed, but it is what it is. I produced a whole lot more back then, and production is key.

Anyhow, here's a brief rundown of the material.

1) "Devil's Dozens": Written and recorded in Fort Greene, Brooklyn in the fall of 2005, this is just wordplay. Since I come from a partially African-American tradition of wordplay, I decided to call it "Devil's Dozens." I remember being happy with the high drone thing that's going on here.

2) "Colours": Also written in Fort Greene in the fall of 2005, this song forms a sequence with "Jubilee," which follows it. I was re-reading The Divine Commedy at this time, and I thought it'd be nice to write a song about Inferno. This is it, though the ending section (the coda?) represents a move up into Purgatory which is voiced by…

3) "Jubilee": Named after specific years when anyone could go to Rome and get hooked-up with a new, blank slate for a-sinnin', this song is vaguely about Purgatory. I mention Lethe, I think, and Matilde, which figure prominently in Dante's Purgatorio. The ending (coda?) of this one represents the ascent into Paradise. I never wrote the Paradise song, but we can say that…

4) "Feminine Wilds": Sort of represents the wide-eyed (self-?)satisfaction of paradisiacal wonderment. Who knows? I wrote this in Buenos Aires, Argentina, sometime in early 2005, on a dilapidated acoustic guitar which sounds dignified.

NOTE: All of these songs were recorded directly into a macbook microphone and then tinkered with in Garage Band. This is why they sound bad. "Colours" and "Jubilee" use the same drum loop because they go together!

Posted in Uncategorized | Tagged | Leave a comment

114

So from inside, she sent me on my way,

to pave my path between poles of meaning
and action, effort, that two-lane byway
on which I'll amble when the sun's shining:
The night, I'll keep free, to look at the stars,
taking advantage of the clarity
of vision that isolation affords
the focused eye, in all sincerity:
If I could draw up a sky symphony
(where the stars are the instruments), I would
conduct with these same fingers that order
these words into bittersweet mystery:
I hear those crisp sounds that verge on madness
cross the line, making brilliance from sadness.
Posted in Uncategorized | Tagged , | Leave a comment

113

And it was curtains on my dreamvision –
wrinkly red ones, as a matter of fact,
with dusty folds that dampened the crimson,
preserving my dreams with a dated tact:
Needless to say, I woke up while sneezing –
A petite mort as some like to call it;
I lived it again  and started wheezing;
And this is how one must cleanse his palate?
"Yes. You'll force the foreign agents away
that way, though it may not feel amazing,
but you're cleaning out your closets today,
discarding your pulverized days of spring."
I guess it's summer now in my body
and mind; A small death, yes, but Time caught me.

Posted in Uncategorized | Tagged , | Leave a comment

112

My guide, at this point, decided to speak:

"Work. Just work. Let the rest sort itself out.
Set a routine, and let your forces peak
when the world has vanished to twist and shout:
Follow the rhythms in your heart and brain-
the tom-tom triplets in polyphony
against the cut-time tick-tock jazz refrain
decried as madness, eccentricity:
You can see that this is all in tribute
to the love that we all carry within
ourselves, despite our habit to impute
our inner-self  to an innermost sin":
And I went from an aching criminal
to feeling Venusian and standing tall. 
Posted in Uncategorized | Tagged , | Leave a comment

111

I am guided by the light of myself

and of others, of course, on my blank road
that I draw on earth, vanishing like shelf
life: useful in time until I explode:
The beauty is this: I explode always –
(you can explode and exploit endlessly
the effigies of truth) – but my mind stays
aloof though steeped in its time fearlessly:
It is not an act; this is really real
when the shining sun caresses your neck
and lifts it up, and you appear like steel –
hard, brilliant and strong, though they call you “black”:
But I am all colors – (the effigy
explodes); this frame is you; the flame is me.
Posted in Uncategorized | Tagged , | Leave a comment

110

Staunched, I step to the sink to wash dishes-

the cups and bowls that had fueled my fire-
since a life of chores is one of riches
when not a slave to men or desire:
I took the yellow sponge in my brown hand,
added the soap and made a bubbly mess,
and then rinsed it away like oceans sand,
feeling every second to relieve stress:
I knew you were watching my every twitch
in that world of yours- so I made my own,
away from your Eyes, whose invasions itch
my sense of noble mien, under skull, bone:
A quiet mind is the quickest of hearts;
I'm confident, free from your humbling arts.
Posted in Uncategorized | Tagged , | Leave a comment

109

And I felt a quick tug fall down my nose-

tasted it and realized that it was blood-
and so, I applied pressure with the gauze
that my guide gave – head back against the flood:
Before I realized that I was leaking,
I had spilled all over my writing, desk,
staining my rhymes with a crimson streaking;
The duchess will speak – I don't have to ask: 
"Hemorrhaging nose, called epistaxis
(and known as "nosebleed" more commonly)
results from your being out of practice
in the expression and the assembly:
of your heart, its contents and its murmur;
And your nose bleeds every single summer."
Posted in Uncategorized | Tagged , | Leave a comment

Divagación

The soft contour of light lifts the sheer curtain

That rests behind the closed window, begging for release;

Likewise, the new moon, sits obscure beneath the clouds –

Hidden from view but plenipotent in its expanse:

I walked around the block a thousand times,

Looking for my moon, so fresh and renewed,

And though I never found it, I still reviewed

The contours of my mind for something grand:

And I found it, I think, in the cold expanse

Of wintry air as it undoes itself for this cycle –

Hibernal forces retreat, and with them the message

Of a cryptic, cold life-force, swept beneath the rug:

Oh, my measured voice, and my floppy tongue

Combine to reassure me of my presence of mind!

Of my presence of voice, as style and power!

Of my presence of present, in the life of my kind:

 

From America to America, I scan and span;

I release and unleash, I am and I ain’t;

The very thought of surprise catches me off-guard

I am what I am, though you sing when I can’t:

 

What does that mean: that I am lesser?

Somehow your movement seems to reflect mine

Even as it rejects it – Is that by design?

Or are you just a fury in the form of a mind?

 

Mine is a calliopean project – I speak for those masses

Unmassed and unrefined, constricted and conscripted

To a bleary, bleak-eyed survival spent

In watch for an image never depicted.

I declaim with that scene on the tip of my tongue

–please give me the vision to lace words together,

To piece together the puzzle, string out the darts

Into artilleries of lights, a cavalry of letters:

 

Pollen redounds and re-infects the air,

As annoying thoughts repinge in my sight:

I can hear them, it seems, without respite,

And I’ll describe them out of hope that someone else can see them:

 

I see a level playing field between the two mountainous

Spaces, and I’m lying in the dirt so fertile

As a nymph or a muse or a dime approaches

And tells me the news, my news, our future,

As I project onto her all my fantasies:

Her eyes are wondrous, the color I can’t say

Her skin so creamy, the complexion perplexing

Her hair natural-like, though the texture eludes me

Her words dagger-like though eluding and vexing:

 

She configures inside the power of passive persuasion –

Not passive in a sense of an absence of action,

But rather a passivity of encouragement

For my diplomatic soul, overly given to reflection:

 

No n-words were dropped, no other curses either –

This was fresh discourse in the purest of settings –

And she pointed me towards a house,

And said it was mine, god willing and letting:

 

She gave me no name, but I call her my Luz,

The duchess/conductrix traducing my doubts

Into channels of courage, serpentinely supreme

As they wind and combine like a skein of asps:

 

What a chance, what a change! What a life,

And I aim to make meaning from the sight

I was granted:

 

Ten years ago, I was next to nothing:

A little “urban” kid with a love for words,

But a mistrust of meaning – which I didn’t understand

At the time –and status, which is stasis:

I entered the flocks of collegiate seekers,

With no chip on my shoulder but one on my mind –

I think this is how I’ll become a seer:

 

My tongue firmly in cheek, like a warhead,

I spat hot fire and sweetness in turns –

And I learned that I was marvelous

And evil – which I didn’t understand

At the time –and that status, which is stasis, is my static target:

 

I saw seasons turn over,

And I sat on the dewy grass

With magnates of the future

And felt no fear

And I knocked glasses over onto

Concrete floors,

And learned to take advantage of time

While it’s here:

 

And then, there was a blankness – dare I say, a blackness –

A realization that I was evil, if only for seeing

And feeling and saying that mediocrity

In classes cuts “meaning” to fragments:

 

Parejo? Uppity n-word?

I think it’s worse than that

I am the real tun-tun, and it’s never loony:

The moon is my goddess, and I her servant

Which means that my levels, crescent and abate;

Wax, wane; ebb, flow;

I am truly as high or as low

As my own instincts tell me to go:

 

In a world of straight lines and points,

I’m a gradient. I observe to absorb

All points in my mind.

I confuse the truth and the lies

So that we all refine

The stories that we repeat,

The destinies we repair to:

 

Ten years later, I stroll around to look at the stars:

I’m at the Mid-heaven, I guess,

Saturn looms over my virginal mistress –

I mean, duchess – with much insistence:

My future is far-reaching, but it isn’t far

From my grasp – It’s just a matter of time

Before the world is yours, and your world is mine:

 

The new moon is there, but it’s stuck in the clouds-

Plenipotentiary if not full, I can “see” it inside

I am pure now, no more evil than an empty glare,

Or an eye behind sunglasses,

Despite the fact that

You don’t see what I see –

And that you can’t.

 

 

Posted in Uncategorized | Tagged , | Leave a comment